Here’s an article on how, as Amanda Marcotte from Pandagon describes it:
sexist demands from studio executives are making it nigh well impossible for screenwriters to create characters for romantic comedies that are anything resembling “characters” so that such films can be what used be called “funny” and “entertaining”. Apparently, if a female romantic lead is anything but clumsy, flighty, unambitious, with no wit or bite or ever a mean instinct, and functionally celibate, the script gets sent back for a rewrite.
Well. Good thing I don’t write characters with “wit or bite or ever a mean instinct,” or who like to fuck, isn’t it?
Continue below for more excerpts from the article itself (or if you want to see me get really depressed…), but you should really read the whole thing, and Amanda’s comments as well.
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